Save the Planet with Puppets!

A marionette made from recycled materials!

ALL AGES WORKSHOP:

Build Your Own Recycled Puppets
With Brenda Huggins, PST Teaching Artist
Saturday February 2, 10:30 am - 12:00 PM

Cost: $15/Individual; $10/Member

*Children under age 13 must participate with a parent or guardian.  Recommended for ages 5 & up

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Climate Action Week continues in Brookline through Feb 3rd, and Puppet Showplace Theatre is excited to participate with a SUPER FUN puppet making workshop!

Have you ever wondered what to do with those old jeans with holes and rips, or have a pillow that is not fluffy or comfortable to sleep on and more? Or maybe your recycling bin is piling up with cardboard and plastic bottles, and you have always wondered if maybe there was a more creative way to Reduce, Re-use, Recycle than just dropping the bin at the curb?

Join us for an all-ages workshop on Saturday to learn how to turn materials already in your home into creative characters that come to life! No need to stop by the craft store, or spend tons of money on a bolt of fabric!  All materials are included for this hands-on, all-ages workshop. Each participant will make a puppet from recycled materials to take home.

Teaching Artist, Brenda Huggins is today's guest blogger.  Let's find out what to expect during class on Saturday:

ANYTHING CAN BE A PUPPET!

by Guest Blogger, Brenda Huggins

Brenda Huggins and her puppet Bella Monster, made by
Jon Little of Little's Creatures.

I love the idea that "any thing can be a puppet." It is a catch phrase that I use often in my teaching, and I am sure I picked it up from an immersion in puppetry education programs at PST for the past three years.  Often when I teach puppetry, I begin with "Object Theatre", or the idea that any everyday object can become "alive" when the puppeteer discovers how it can move, how it looks around in its environment, how it breathes, and perhaps even what its voice sounds like.  These are the fundamental basics of puppetry manipulation.  Why is this important in a puppet building class?  As a puppet builder, I like to think about how the characters I am creating will exist in the world, as this greatly inspires their design and the materials they will be made out of.

Yes, the MATERIALS! Let's talk about the materials, because that is why we are here isn't it?  When we are creating puppets from recycled, or re-purposed materials, the goal is to take an everyday object and be inspired to transform that object into something new-and also perhaps save a little money from not having to buy brand new materials at the craft or fabric store.  It is also a FANTASTIC way to recycle materials you wouldn't even think to recycle.  How many times have you thrown out an old shirt because it had a stain or rip in it? I know many of us are very good about donating clothing to Good Will or other second hand shops, but what do you do with those old things that cannot be resold?  Instead of flooding landfills with these precious textiles, let's make puppets!

The Very Hungry Caterpillar, as seen in "Puppet Playtime"

When I am building puppets, I LOVE to be inspired by the materials I will be working with, especially the textiles.  Maybe this comes from my work as a costume designer.  As an example, some of the most recent puppets I built are for a new program at PST called "Puppet Playtime." The materials I used are  a towel and recycled clothing  (I have a huge suitcase full of cut up clothes and other goodies for crafty projects! I can't wait to share it with you!) To create the character of the Very Hungry Caterpillar, I used a bright green towel for the body, and created three dimensional spots by cutting circles out of a dress shirt I have from when I was in college. (I will admit that was almost 10 years ago! I held onto the shirt, because the fabric was so beautiful and I just HAD to use it for a fabulous crafting project!)

Join me on Saturday for an hour and a half of recycling, creation, and play! I can't wait to see each of your unique pieces of art come to life!

-Brenda

This Week in Puppet Playtime!

Puppet Playtime: Opening circle with Phil Berman and Brenda Huggins

PUPPET PLAYTIME FOR TODDLERS AND TINY TOTS!
Wednesdays at 10:30am through March

MAKE A RESERVATION

Bella Monster and the very hungry Caterpillar!

We are two weeks into our brand new interactive program for young children (ages 0-3) and it has been a blast!  So far we have adventured with our fabulous furry friend Bella Monster to outer space, marched with ants in the garden (hurrah, hurrah!), dined with a very hungry caterpillar, and sang our favorite songs and new original tunes composed by our very own Puppet Playtime performer, Phil Berman.  

One of the participants with a 2 year old child said:

 "My daughter was singing the songs from Puppet Playtime all day long, the experience has definitely stuck with her.  We will be back next week!"


WHAT IS IN STORE FOR THIS WEEK?
Guest Blogger: Phil Berman

Cock-a-doodle-doo!

Wake up and smell the corn husks, this Wednesday morning Puppet Playtime is off to the farm! 

Brenda, Bella Monster and I have been blessed with Puppet Showplace's rich and eclectic stock of puppets from past productions that are (literally) hanging around every corner of the theater. When developing new shows every week we try to take our cue from the wealth of materials already available to us. Bella Monster discovered a box of chicken puppets created by my dear friend from Free Hands, Allie Herryman, and we knew they were too good not to use in a show.

It turns out there's a lot of great children's music featuring these fearless flightless fowl. There's something hilariously satisfying about these birds to folks of all ages: is it the noise? the movement? the prideful attitude? We humans may never truly understand why we love chickens so much. What I can tell you is that we have a fun-filled interactive show ready for our littlest chicks: 

We'll crow and squawk and bark and whinny with the rest of the animals in the farm; plant wheat with a well-known avian baker; shake eggs while we cluck with the hens; and recount the stresses and joys of poultry puppet parenthood.

Don't stay cooped up all winter - we'll see you at the theater on Wednesday morning -- don't forget your overalls!

See you at the Theatre!

-PB

PST Musician-in-Residence on Creating Music for "Squirrel"

Bonnie Duncan in "Squirrel Stole My Underpants"

"NEW YEAR, NEW SHOWS!": Series of new work created by local artists continues with great success!

What an EXCITING weekend! After a completely sold out run this past Saturday and Sunday, "Squirrel Stole My Underpants" by Bonnie Duncan is bringing much joy and adventure to audiences young and old.  The final weekend of performances runs Thursday through Sunday, Jan 31-Feb 3.

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New Year, NEW MUSIC!

In addition to Bonnie's unique mash up of theatrical tricks, including dance, physical theatre, and puppetry, local musicians created a brilliant score to help take the audience on an underpants search-party adventure.  Puppet Showplace Theatre's own musician-in-residence, Brendan Burns is one of the co-composers and performers.

Brendan Burns is a guitarist & educator rooted in Somerville, MA.  He released his debut album TimeStamp (recorded live at the Somerville Theatre) in 2012 (available via BandCamp, iTunes & Spotify), and is featured in Alexia Prichard's Documentary about the project; as well as the Boston Globe.  Brendan is a regular contributor with SchoolTree, Kristen Ford Band, Karin Webb, Molly Zenobia & Brendan Burns' Roadhouse.  He is also a founding member of the music & puppetry troupe: Elephant Tango Ensemble (nominated for an IRNE), former director of the house band for Bent Wit Cabaret and currently the musician-in-residence at the Puppet Showplace Theatre. 

Brendan is today's guest blogger, writing about his experience collaborating on this exciting new project.

Creating Music for Squirrel Stole My Underpants 

by Guest Blogger: Brendan Burns

Bonnie Duncan is amazing.  I've been an admirer of her work and creative brain for years.  

Bonnie Duncan in "Squirrel Stole My Underpants"

She first introduced me to "The Squirrel" at a Puppet Incubator meeting at the Puppet Showplace Theatre.  Her show: Squirrel Stole My Underpants was still in development, but the idea was amazing and the creator was brilliant.  

Bonnie asked for my help to bring musicians into the project, and we soon discovered it was the perfect opportunity for Tony Leva (upright bass) and I to take on as co-composers.  For a little over two months, we met every Wednesday morning at the Puppet Showplace Theatre and tried out ideas.  Sometimes we would work on the entire show, and other times it was just one scene, but all of the time we were laughing & giggling.  Tony would record our rehearsals so we could listen back to our ideas, and most of the time he captured the three of us giggling uncontrollably at the silliness of what we were creating.  Here's an audio clip of an early draft of Sylvie's Lament where we were playing around with the sadness that comes from realizing your favorite underwear has been stolen by a squirrel - you can hear how long were able to keep things serious….

Example music sketches for "Squirrel Stole My Underpants"

Over time, and with lots of practice, we created the music that fit perfectly for this show.  As composers, Tony & I are mostly underscoring Bonnie and providing support where she needs it.  Our job is help illuminate and tie together the fantasy adventure that Bonnie has created. 

Top Left: Brendan Burns, Right: Tony Leva, Bottom Left: Ariel Bernstein

Early in the process, Tony & I realized that we would not be able to perform every show that Bonnie was going to put on, and therefore we strategized a way for her to use recorded versions of us when necessary.  Using the talents of engineer Ariel Bernstein, we crafted and chaptered a recording of the entire score so that Bonnie could use us on CD, triggering us to the next track when she needed it with a hidden remote.  Through studying our rehearsal video, we recorded and delivered a flexible soundtrack that could allow for spontaneity and consistency for whenever and wherever Bonnie was performing.  In the future, we hope to play with Bonnie in every way that we can, but if doesn't work out, we'll be there in spirit - on the recording. 

-Bb

http://www.brendanburns.com/

Brendan and Tony will perform live music for the 10:30am performance of "Squirrel Stole My Underpants" on Thursday, January 31st, and 3pm on Sunday, Feb 3rd!

New Year, New Shows: A Note From the Artist

PST Presents the WORLD PREMIERE performance of...

"Squirrel Stole My Underpants" by Bonnie Duncan

Sat & Sun: Jan 26 & 27 at 1pm & 3pm
Thurs & Fri: Jan 31 & Feb 1 at 10:30am
Sat & Sun: Feb 2 & 3 at 1pm & 3pm

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About the Show: Sylvie is sent to the backyard to hang up the laundry. The moment her back is turned, a mischievous squirrel steals her favorite piece of clothing and runs off. When Sylvie gives chase, an entire world emerges from her laundry basket, and curious characters show her the way through mysterious lands. Will our lonely heroine rescue her underpants and discover the magic within herself? Join us on this adventure to find out!

Bonnie and Tim:
 "They Gotta Be Secret Agents"

About the Performer: Bonnie Duncan had already travelled the world as an acrobatic dancer and award-winning fringe theatre artist when she took a break from touring to raise her three young children. Bonnie found herself wanting to tour the world again, but this time with a show for kids. In addition to trying out ideas for the piece in her living room (her husband, Dan Milstein, directed the show), the growing community of local puppeteers nurtured by the Puppet Showplace Theatre gave Bonnie the resources to complete the work.

Bonnie Duncan has been creating and performing work as a dancer, puppeteer, and actor for the past 13 years. She danced for 8 years with Snappy Dance Theater and in 2007, formed “They Gotta Be Secret Agents” with Tim Gallagher, to create work mixing dance, theater, puppetry and circus arts. Her work has been shown in theaters in Boston, Providence, New York City, San Francisco, Austin, TX, Germany, and Czech Republic. The Secret Agents were awarded Austin Critics Table Award for “Best Touring Show of 2011,” Best of the Fringe, San Francisco, and were nominated for Most Innovative Show at Prague Fringe Festival.

The Making of Squirrel Stole My Underpants
BY GUEST BLOGGER: BONNIE DUNCAN

Bonnie Duncan and her three Children.

Squirrel Stole My Underpants came at a time in my life when I was looking for a change.  I have three small children—a four year old and two 19 month old twins. Before I’d started a family, I’d worked part time as a drama teacher, and, in every free minute, thrown myself into a blizzard of art and performance making—dance, puppetry, costume design, circus arts.  But with my oh-so-wonderful and yet oh-so-demanding family, that just wasn’t proving to be possible anymore.

Creating a show I could tour for family audiences felt like it brought a lot together: I could draw on all the (weird, wonderful, and totally unmarketable) skills I had developed; I could build a schedule around my family life (and maybe even have an excuse to take them all on the road with me); and I could get back to what I love—making art.

Squirrel 4.0

I was lucky enough to obtain early support from Puppet Showplace Theatre and the Jim Henson Foundation.  With the time that gave me, I was able to really delve into what can make a family show feel wonderful. Many ideas came and went but a few themes stuck with me:  how hard it is to grow up, those magic items that make you feel secure as a kid, and the injustice of something being taken.  And, thus, Squirrel Stole My Underpants began to take shape. 

Fast-forward ten months and here we are:  premiere week at Puppet Showplace. 

Top Ten Things I learned from this process:

1. Kids will always get sick the week of a deadline.  Sleep goes by the wayside and some things just don’t get done---whether it is laundry or fixing the broken rod on a puppet.

2. Once I surrounded myself with amazing collaborators, my work got better.  The musicians, costume designer, director, and set designer are all super talented and I feel so lucky that they are on my team.

Bonnie on the set of "Squirrel Stole My Underpants"

3. If you need to know if something works on stage, show your kid.  Then, show his friends.  If they don’t like it, scrap it. 

4. Having the support of the Puppet Showplace & Henson Foundation gave me structure, a place to rehearse, business advice, connections for assistance--you name it.

5. Some things work on paper.  A lot of those things don’t work on stage.  Make a mock-up first, put it on its feet, build it out if there is promise.  Then throw it out if it still doesn’t work.

6. I built four versions of the main character before I found the perfect design.  Sometimes you just have to make things over and over before it is right. 

7. At some point during a rehearsal, I looked up and laughed hysterically.  I realized that I am in my 30s and making a show about hot pink polka dot underpants and squirrels.

8. Procrastination is part of the process.  The internet, baking an elaborate cake, and just staring out the window are part of it all.  It may feel like the show will never get made but it does especially when there is a deadline involving the possibility of embarrassing yourself in front of strangers.

9. Having a studio space in my apartment was key.  When the kids napped, I worked with no commute time.  My husband (who directed this show) and I also worked in our dining room in the evenings after everyone was asleep.  Working from home made everything possible.

10. This may be a solo show but it is far from a solo process.  Family, friends, and colleagues made this possible.  Without them, I would still be staring at a blank stage.

I feel very thankful that Squirrel Stole My Underpants.

--Bonnie Duncan

This week in Puppet Playtime....

Two 5-week sessions: Weds @ 10:30am 

Last week's Puppet Playtime with Bella:
 "Adventure in the Night Sky"

Jan 16 - Feb 13; Feb 27 - Mar 27

LEARN MORE/ REGISTER

THE FUN IS JUST BEGINNING!

What a blast! Our BRAND NEW programing for toddlers and tiny tots kicked of last week, to great success. This interactive program is designed especially for little ones and their grown-ups to sing and sway along, and join in the fun. Today, Puppet Playtime performer, Phil Berman returns as a guest blogger to talk about the program, and give us a sneak-peek at what is in store for tomorrow!

GUEST BLOGGER: PHILIP BERMAN

Phil Berman

What a whirlwind week! It's hard to believe that Brenda, Bella and I are already on our second episode of PUPPET PLAYTIME. The three of us had a blast last Wednesday on our adventure in the night sky with all the kids and grown-ups who braved the snow to play, sing songs and experience the magic of live puppetry.

As a kids' performer with no children of my own, I spend a lot of time thinking about how my work can best fit in with the busy lives of the families we entertain. With very young children it can be a hassle to leave the house to go anywhere, let alone attend arts events! What can my work offer to kids and grown-ups alike that makes each show a "must-see?"

What I saw last week was a beautiful preview of things to come: parents, caretakers, relatives and lots of little tykes playing with their familiar faces. By the end of the program, kids were singing, clapping and laughing together (as well as some of thier older companions.) I hope that this feeling of family and community continues to grow as we continue with the series through the winter.

Tomorrow we're in for an icky treat at PUPPET PLAYTIME: we'll march with the ants, meet a quartet of quarrelsome critters, wash out spiders and feed some very hungry caterpillars. Leave the OFF! at home, because this buggy adventure is sure to bring a smile to kids and grown-ups alike.

See you at the theater!

PB

Come dance, play and pretend with us, Wednesdays this winter at 10:30am!

World Premiere Performance Series starts with Songs and Shadows

Chris Monti and "The Fox"

“Yankee Peddler: Stories and Songs from Old New England” by Brad Shur and Chris Monti
Saturday & Sunday | Jan 19 & 20 at 1pm & 3pm
Monday | Jan 21 at 10:30am and 1pm 

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Puppet Showplace Theatre (PST) will present two world premiere performances of puppetry works created by Boston-based artists as part of the theatre’s “New Year, New Shows!” series, running from January 12 – February 3. The series begins with "The Yankee Peddler: Stories and Songs from Old New England", by PST Artist-in-Residence Brad Shur and Folk Musician Christopher Monti.  There are additional performances on Monday, Jan 21st at 10:30am and 1pm.  PST is open for the Martin Luther King Jr. holiday!  As part of the theatre's shows in repertoire, look for "Yankee Peddler" on our calendar in the spring and beyond- it is sure to become a fan favorite!

Behind the puppet stage: Brad Shur's signature shadow puppets
performed on an overhead projector

In this brand new show, two very different types of media come together to create storytelling magic! Both shadow puppetry and live music have a long history and tradition rooted in rich cultures of many peoples all over the globe. Brad Shur’s signature shadow puppetry style uses cut-outs manipulated on a overhead, and then projected onto a large screen.  During the entire show,  Chris Monti is the only performer visible to the audience. This creates a unique interaction between performer, spectators and characters on the puppet screen. Chris as the live performer acts as a go-between to draw the audience into the two dimensional world of the shadow puppets.

HOW IT ALL BEGAN 

Chris Monti and Brad Shur

Puppeteer Brad Shur knew he wanted to make a show with live music, so he tapped folk musician Chris Monti to collaborate on “Peddler.” Comrades and past roommates, this storytelling team is a perfect pairing of sound making and tale-crafting. Together, they scoured songbooks and dusted off folklore anthologies in search of material that would make for good visual storytelling while celebrating life in the Northeast.  Chris dove into the depths of his own repetorie that comes from playing with New England folk musicians and old time musicians. As an example, the song “The fox” comes from the Scotts who compiled a book called “Ballad of America.” The text is a history of America through folk song. 

ABOUT THE STORIES

After narrowing down an enormous list to 10 songs and stories, the result is a collection of unique folktales. All of the stories are pieces of folklore from the New England region. Some are based on historical facts, others express interesting cultural practices, and a few even tell the tall-tales of local mythology folk heroes. Every part of the world has their own arts and stories. New England has its own history with its own flavor, and “Yankee Peddler” reflects those traditions and local culture.

From "The Mammoth Cheese of
Cheshire Massachusetts"

One of the stories is a piece of real history about giant cheese. This is clearly the kind of history you can’t ignore! The performers picked stories that had unexpected elements, with a lot of energy, and room for silliness. “The Mammoth Cheese of Cheshire Massachusetts , is the true story about Thomas Jefferson and the gift of a giant piece of cheese. Another historically inspired story is “Letters to Rats” which comes from actual letters found in old houses written by people in colonial times addressed to vermin infesting their homes and eating their food. These stories come from a broad range of social classes, including characters from a mayor to the president, and sailors, and even animals!

Often when we study American History, we first address the Revolutionary War, or the Civil war, but Brad and Chris didn’t want to explore Old New England culture using military history. War is only one small facet of history, and it is not something these performers wanted to glorify. They are instead interested in celebrating a different kind of hero. 

One such hero in “Yankee Peddler” is the famous Stormalong who battles with his own demons and whose hero status emerges because of his determination- and also his enormous girth! Stormalong is part of the same tradition as Paul Bunyan and John Henry who found fame in being very good at the thing they loved, and putting their passion into it. Have you ever seen Stormalong face-off with the Kracken, a giant octopus sea creature? Now is your chance! 

From "Cluck Old Hen"

Other stories in the show feature man’s connection to nature. Living more closely to the grand out doors was a huge part of life in old New England. In “Yankee Peddler”, expect to see forest creatures galore, like “The Fox” who dives into his den, and a bear who needs a little help getting dressed in “Jenny Jenkins”, some rats who love to eat cheese and crackers with jam in “Letters to Rats”, and the fastest egg-slinging hen in the east in “Cluck Old Hen.”




ABOUT THE MUSIC 

Chris Monti rehearsing in the PST lobby

All of the music in the show is performed live by Chris Monti.  The orchestration is mainly vocals, harmonica, guitar, kazoo and a few other noise makers like a triangle and symbol crashes for those pointed moments requiring special effects. Chris composed original music and adapted licks from fiddle tunes for incidental music that underscores about half of the shadow puppets stories.   Other visuals in the show are entirely based on the songs themselves.

IT TAKES A VILLAGE

“Yankee Peddler” has benefited a lot from wonderful feedback of other local puppeteers and performing artist during its development. Scenes from the show were workshopped in 2010 at the Eugene O’Neil Puppetry Conference in Connecticut, as well as at PST’s own Incubator program for the development of new works. The show received support from the Harris Grant Program of the Children’s Theatre Foundation of America.

TAKE A SNEAK-PEEK!

Rehearsal footage from "Yankee Peddler: Stories and Songs of Old New England"


STRAIGHT FROM THE PUPPETEER'S MOUTH

“This is Americana, but a different kind of Americana. It will make you proud to be a New Englander for reasons you never thought!” –Brad Shur

Brad Shur created over 100 shadow puppets for
"Yankee Peddler: Stories and Songs from Old New England"

PST Premieres New Interactive Show for Tiny Tots!

Children interact with the performers, Phil Berman
and Brenda Huggins

What IS "Puppet Playtime?"

Two 5-week sessions: Weds @ 10:30am
Jan 16 - Feb 13; Feb 27 - Mar 27
VIEW CALENDAR/RESERVE

Puppet Playtime is a fun, interactive performance experience designed for very young children - ages 0 to 3.  In each hour-long sessions, two friendly performers guide children (and the grown-ups) through free play, sing-a-longs, stories, and imagination-based games.  Puppet characters, like our very own Bella Monster, appear throughout the performance to introduce the theme of the day - and to just join in on the fun.

We are excited to have Puppet Playtime performer, Phil Berman talk about the show, and give a sneak-peek into the first session, Jan 16th at 10:30am.

GUEST BLOGGER: PHIL BERMAN

Phil Berman

Hi everybody! My name is Phil Berman; one third of the collaborative team behind PUPPET PLAYTIME, Puppet Showplace Theatre’s new programming for toddlers and tiny tots. My partners in crime Bella Monster and her puppeteer Brenda Huggins have been hard at work with me these past few months preparing this ten show series for very young audiences in Brookline and throughout the Boston metro area.

When PST Artistic Director Roxanna Myhrum first approached me last summer about creating this series, I was both excited by the challenge to write, rehearse and perform ten new shows in a relatively short period of time. As Brenda, Bella Monster and I continue to work on the series, the creating part is not only moving faster but also getting more fun!

Having tough deadlines is pushing me as a composer and playwright to generate a consistent flow of new material that I can develop on my feet in front of an audience every week. I’m having a blast writing a new kids song for each session to perform with Brenda and Bella. It’s also incredibly inspiring to be creating new puppet plays with Mary Churchill’s beautiful crocheted glove puppets. Her puppets have brought joy to generations of young audiences and I’m honored to help bring these characters back to life in brand new adventures.

Bella and her Magical Story Box!

After about 15 minutes of free play, each session of PUPPET PLAYTIME begins with a Sing-Along with Brenda and me. We’re then joined by Bella Monster and her Magical Story Box, where we discover three objects that inspire us to tell stories and sing songs based on the theme of the day. Our first theme is “An Adventure in the Night Sky”: you may recognize some classic sing-along songs about twinkling stars, as well as a jazzy new song sung by a backpack; we’ll fly through the stars and dance on the moon and be back in time for a starlit puppet bedtime story all before noon!

Keep checking the Puppet Showplace blog for more posts about future PUPPET PLAYTIME shows and updates. I’ll see you at the theater!

-PB

More about the performers:

The masterminds who developed Puppet Playtime are Phil Berman and Brenda Huggins.  They're also the performers - with special appearances by Bella Monster!  

Phil, Bella, and Brenda!

Phil is a Boston-based actor, guitarist, and dramaturg who loves writing original music for kids.  In addition to performing at PST many-a-times, Phil is also a member of the puppet company Free Hands Productions, with whom he created "The First Person to Consider the Sun" and "Three Blessed Brothers." Phil has a BFA from Boston University.

Brenda is an educator and theatre artist who has taught puppetry classes to students of all ages throughout the greater Boston area - and she is our very own Communications Director.  She received her MA in theatre education at Emerson College after studying vocal performance at Western Connecticut State University.  Her work as a director, costume designer, and solo performer has been seen throughout the New England area. 

Bella Monster was created by Jonathan Little of Little's Creatures and has been PST's "Monster-in-Residence since 2011.  She enjoys puppet shows, singing, and the color pink.