Behind the Scenes of "The Great Red Ball Rescue"

The Challenges and Rewards of Developing New Work

by Guest Blogger: Sarah Goone, Artistic Intern

Puppet Showplace Artistic Intern Sarah Goone shares her experience assisting local artist Faye Dupras with the creation of "The Great Red Ball Rescue." The show is part of the 2014, "New Year, New Shows" series of world premiere performances by local artists. VIEW CALENDAR

I started working with Faye Dupras on "The Great Red Ball Rescue" a few weeks ago at her studio in her home, which was such a wonderful experience. She let me design and build some important props for her show based off of my own artistic ideas, and really encouraged me to do what I felt was right for the show.

Props created by Sarah Goone for "The Great Red Ball Rescue"

It was another situation in which I would be allowed to have the opportunity to play such a big role and hold so much responsibility for the set of a show. I think that it challenged me as an intern, a student, and an artist in taking the risks to trust my own instincts and skills to create something for another artist’s piece.

Set piece painted by Sarah Goone for "The Great Red Ball Rescue"

Once we moved the show to the Puppet Showplace Theatre for tech week, I helped Faye with her pre-set and am now running the light board for the rest of the shows while I am here. It’s really interesting for me to work the lights because I have only ever been involved in theater as an actor or in stage/costume crews, never in the sound or light area. It’s also great because I get to see the show so many times, and as a new piece of work, I can witness the changes that keep happening.

Sarah Goone and her "The Great Red Ball Rescue" display.

Feast your eyes on "The Magic Soup and Other Stories"

THANKSGIVING WEEKEND!

The Ugly Truth

"The Magic Soup and Other Stories"

by Brad Shur, Artist in Residence

Fri, Nov 29 at 10:30am & 1pm 
Fri- (SOLD OUT)

Sat & Sun, Nov 30-Dec 1 at 1 & 3pm

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Puppet Showplace is proud to present a collection of Yiddish folktales that brings the whole family together for a wild puppet adventure! This original story featuring favorite tales from the Jewish folk tradition was written by Artist in Residence, Brad Shur. He designed the set, hand built all of the puppet characters, and performs the show solo. Feast your eyes on the magical world of "The Magic Soup and Other Stories" this Thanksgiving weekend at Puppet Showplace! (Friday performances are already SOLD OUT, so make your reservation today!)

From the story: "The Very Small House"

About the show: What do you do when your relatives are coming over for dinner, but there's no food in sight? A young man's search for a family recipe ends up bringing folk tales to life...in his kitchen. Based on a collection of traditional Yiddish stories, "The Magic Soup" teaches that it is those with wit, humor and imagination who have the best chance of filling their bellies -- and fulfilling their dreams.

About the performer: Brad Shur is a versatile puppeteer who has created and performed characters made of everything from pixels to papier mache. As the Artist in Residence at Puppet Showplace Theatre he performs regularly and teaches puppetry classes to students of all ages, Pre-K to adult. As protégé of master puppeteer Paul Vincent Davis, Shur trained extensively in glove puppetry and currently performs two of Davis’ classic shows at venues across New England. Shur’s original works include "The Carrot Salesman," "Dr. Doohickey and the Monster Machine," "The Yankee Peddler: Stories and Songs from Old New England" and "The Magic Soup and Other Stories," recently featured at the Puppeteers of America National Festival 2013. Shur is currently working on a new adaptation of "Robin Hood," set to open in January 2014. Prior to becoming the Artist in Residence at Puppet Showplace, Shur toured the country as a performer with Big Nazo (Rhode Island), Wood & Strings Theatre (Tennessee) and The PuppeTree (Vermont). As a builder Shur has designed and fabricated puppets for American Idol, Dollywood, Avenue Q, and the U.S.S. Constitution Museum. Shur is a graduate of the Rhode Island School of Design.

Brad Shur, Puppet Showplace Artist in Residence

The Circus comes to BROOKLINE!

CIRCUS SPECTACULAR
Nov 7-24: VIEW FULL PERFORMANCE SCHEDULE

Swing on the trapeze and dance down the high-wire at Puppet Showplace this November! This week, we unfurl our first “Circus Spectacular” series with four circus-themed puppet shows for audiences of all ages, and new puppetry classes/workshops for adults and teens.

UP NEXT: TICK-MARIONETTES!

"The Fairy Circus" by Tanglewood Marionettes

VETERAN'S DAY WEEKEND!
Thurs & Fri, Nov 7 & 8 at 10:30 am
Saturday & Sunday, Nov 9 & 10 at 1 pm & 3pm
Mon, Nov 11 at 10:30 am & 1pm

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About the show: Tanglewood Marionettes invites you to be a spectator at this dazzling display of circus acts performed in an enchanted garden. "The Fairy Circus" is a showcase for turn-of-the-century style trick puppetry, performed by over 20 beautifully handcrafted marionettes. Fairies, field mice, and other small critters dance, play instruments, juggle, contort, transform, and fly through the air with the greatest of ease, all to the music of favorite classical composers. Each performance includes an interactive puppetry demonstration before and after the show!

About the artist: Founded in 1993 by Peter and Anne Schaefer, Tanglewood Marionettes is a nationally touring marionette company whose unique productions have been seen by hundreds of thousands of children and families across the country. With seven shows currently in their repertoire, the company performs year-round at venues ranging from school assemblies to renowned cultural institutions.

Peter and Anne Schaefer, Tanglewood Marionettes

Performer Peter Schaefer was born into a Boston-area family of puppeteers and has visited Puppet Showplace since he was a child. After apprenticing with the Bennington Puppets, Peter launched his own company, “Mountain Marionettes,” before joining with Anne Schaefer and fellow Bennington puppeteer Stephen Hancock to form Tanglewood Marionettes.

The company has received two UNIMA awards, puppetry's highest honor, for their productions An Arabian Adventure and The Dragon King. 

Tanglewood Marionettes believes above all that a performance is a communal experience, with connections established not only with the performers, but also between members of the audience themselves as they laugh together, gasp together, and cheer together when the good guys prevail! More info: www.tanglewoodmarionettes.com

Coming soon! The Great Small Works’ International Toy Theater Festival on Tour

Guest blogger: Holly Hartman, PST Volunteer Media Consultant

Holly Hartman

I first attended a show at the Puppet Showplace Theatre several years ago, when my then-six-year-old niece was visiting Boston. I was dazzled, both by the skill of the puppeteer—the enthralling Sarah Lamstein—and the candid absorption of young audience members. They beamed at the arrival of a friendly kitten puppet, shrieked at onstage silliness, and cringed when a tiny Beelzebub rose up from behind the curtain. Afterward, a few children stayed to “meet” one of the puppets; they held its small hands and spoke to it as if to a new friend, apparently oblivious to the presence of Lamstein.

Since then I’ve also discovered PST's offerings for adult audiences, which have included some of the most memorable and ingenious theater productions I’ve seen anywhere. A troupe from Bavaria, Saltamontes Puppet Arts, enacted a mysterious tale with bunraku-style animal figures; Vermont’s Modern Times Theater used cardboard cutouts in a droll retelling of a political fable by Herman Hesse; recently, a marionette puppet slam blew my mind with wood and string. I have noticed that in the presence of puppetry arts I can be as awed and credulous as any six-year-old.

Right now I’m particularly excited about a traveling show that will be landing at PST at the end of this month: The Great Small Works’ International Toy Theater Festival.

Get Ready for Toy Theater…

One of the many things I’ve learned at PST is that there’s currently an international revival of “toy theaters” (aka “paper theaters” or “model theaters”). These mass-produced Victorian miniatures, complete with paper scenery and characters, were a popular form of home entertainment in nineteenth-century Europe. A wondrous variety of contemporary theater artists have contributed to their revival. “Toy theater festivals happen all over the world,” says PST artistic director Roxanna Myhrum, “consistently amazing audiences with the power of performance-in-miniature.”

"Living Newspaper" by Great Small Works

After a residence at St. Ann’s Warehouse in Brooklyn (how’s that for a credential?!), the traveling part of this year’s festival will make a stop at PST, on June 28 and 29. Both nights will feature a cabaret-style production by three acclaimed theater companies. I'm really looking forward to seeing their work in the intimate space of PST.

Facto Teatro, "Don Chico con Alas"

Facto Teatro (Mexico City) will perform “Don Chico con Alas” (Don Chico with Wings), based on a surrealistic story by Mexican author Eraclio Zepeda. Barbara Steinitz and Björn Kollin (Berlin) will use live music—and a suitcase for a stage—in“Schnurzpiepegal” (Like Master, Like Dog), a humorous meditation on urban life and human-pet dynamics. Great Small Works (New York, but founded by veterans from Vermont’s Bread and Puppet Theater) will bring together words and images from modern-day media in “Living Newspaper,” a new work that addresses the issue of American gun violence.

…and a Family Matinee

“Schnurzpiepegal” (Like Master, Like Dog) by Barbara Steinetz and Björn Kollin

Never fear: kids will have the chance to get in on the toy theater fun, too. On Saturday, June 29, PST will host two daytime shows of “Schnurzpiepegal” (Like Master, Like Dog), each followed by a free workshop, where artists Barbara Steinetz and Björn Kollin will help children create their own toy theater puppets.

Just the Facts!

Evening cabaret on Friday, June 28, and Saturday, June 29, at 8 p.m. (Recommended for adults and teens 13+.) Tickets: $15 General Admission/$13 Members. Cash bar.

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Family matinee on Saturday, June 29, at 10:30 a.m. and 1:00 p.m. (Recommended for ages 3 & up.) Tickets: $12 General Admission/$8 Members. Followed by a free puppet-making workshop; PST will provide materials.

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Spring at PST Kicks off with Tales from Africa!

"Leopard Learns a Lesson" by Magpie Puppets

Fri | Mar. 1 | 10:30 AM

Sat & Sun | Mar 2, 3 | 1 PM & 3 PM

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ABOUT THE SHOW:

This is Magpie Puppets newest performance! The story is adapted from an African tale from Malawi. Leopard is always bullying and frightening smaller animals until Rabbit turns the tables on her with the help of the jungle’s two largest beasts, Elephant and Rhinoceros. The audience learns, along with Leopard, that cooperation works better than intimidation. The show features hand puppets, plus original music by Alison Reid! Recommended for ages 3 and up.

A GREAT LESSON:

What a great lesson to learn! You can catch more flies with honey than with vinegar. You and your children will be greatly entertained well also reinforcing the wonderful lesson of teamwork.  

ABOUT MAGPIE PUPPETS:

Maggie Whalen, Director of Magpie Puppets, a one-woman hand puppet theater, has been performing puppet shows for children and adults since 1969. In 1971, she founded and directed Poor People's Puppets in NYC, which performed in its own storefront theater from 1971 - 1974. She has worked with the Bread & Puppet Theatre in Vermont and Theater for the New City in New York. In addition to performing, Maggie has taught puppet-making workshops at schools, community centers and even at Club Med!

Magpie Puppets is included in the Massachusetts Cultural Council Performing and Touring Roster and is a participant in the New England States Touring Program.

Learn How to Build Giant Puppets at PST!

CLASSES FOR ADULTS AND TEENS

THINK BIG: Giant Puppet Construction and Performance Class
Six sessions | March 11 - April 15
Monday nights | 6:30-9:00 pm

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Not so little anymore? No need to fret, the bigger you get, the bigger the puppets! We invite teens and adults alike to join us and learn how to build your own larger-than-life puppet. Come and THINK BIG at PST in this empowering workshop.

Register by March 1: $150 + $20 materials fee. After 3/1/13: $175 + $20 materials fee. PST members save 10% on registration!

ABOUT THE CLASS

Participants will learn techniques for designing and constructing giant puppets from simple materials such as cardboard, papier mache, fabric, and recycled objects. Topics will include large-scale designing, flat-to-3D building, cardboard fabrication, strong papier mache, painting, transportation planning, and puppet manipulation. Participants will each complete their own giant puppet, and will have opportunities to perform with Puppet Showplace Theatre in various community art events throughout the year.

WHERE HAVE YOU SEEN BIG PUPPETS?

From "First Night" in Boston to "Wake up the Earth," festival in Jamaica Plain, street protests to community festivals, giant puppets are everywhere! 

"First Night" in Boston

"Wake up the Earth" festival in Jamaica Plain

YOUR INSTRUCTOR 

This workshop is led by PST’s own Artist in Residence Brad Shur. Brad performs almost every month at PST as well as teaches classes and workshops to students aged 3 to adult. For nearly 15 years he has been professionally involved in puppetry since he began as a performer with the Providence puppet and Mask Company Big Nazo. He has worked in various capacities with Wood & Strings Theatre (Tennessee), and Vermont PuppetTree, and as a builder has designed and fabricated puppets for American Idol, Dollywood, and other theaters and performers from Austin, Texas to Boston, Massachusetts.  

PST Artist in Residence, Brad Shur

Vacation week Continues with All Hands Productions!

MEET THE ARTIST!

Here at PST, we are excited to host David Stephens, the founder of All Hands Productions for two exciting titles.  Celebrate Feb Vacation with a puppet show!

About the Artist:
His mission was to expose families across the Southeast to quality, entertaining puppet shows. So, he toured venues in Alabama, Florida and Georgia. He became a regular performer of original works at the Center for Puppetry Arts in Atlanta (2002-2004). In 2003, “Billy Goats Gruff and Other Stuff” was featured at the National Puppeteers of America Festival in Tahlequah, OK. This performance came in the middle of a tour that found Stephens performing at venues in New York, Massachusetts, Missouri and Alabama's rural schools. Also in 2003, Stephens received a Telly Award (which spotlights works in the television, commercial, and music video industries) for his collaboration with Pensacola, FL singer/songwriter, Brian Meece. Scruff, a shaggy, white sheepdog character, created and performed by Stephens, was featured in Meece's music video “Playground.”

David Stephens with the audience in the PST lobby.

In 2004, Stephens was awarded an Artist Fellowship from the Alabama State Council On the Arts. This grant helped to fund an exhibit of Stephens work as a puppeteer at the Eastern Shore Arts Center in Fairhope, Alabama. “Puppets and Process” showcased Stephens original puppet creations alongside their designs and sketches. This exhibition drew record numbers to the gallery. Later in the same year, Stephens received one of puppetry's highest honors: “Billy Goats Gruff and Other Stuff” was awarded a 2004 UNIMA-USA (Union Internationale de la Marionette) Citation of Excellence. Created by Jim Henson, who founded the US chapter of UNIMA, the Citations honor outstanding works in the art of puppetry. With this award, Stephens joined the ranks with some of puppetry's most exceptional practitioners. www.allhandsproductions.com

Join us this February Vacation week for ALL of These Fantastic shows by ALL HANDS PRODUCTIONS!

The Reluctant Dragon by All Hands Productions

Tues & Wed & Thur | Feb 19 & 20 & 21 | 10:30 AM & 1:00 PM

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About the show: Princess Penepole loves to read about dragons. Imagine her surprise when she actually meets and befriends one! Upon discovering the potential threat of a dragon in the palace, King Rhubarb charges Sir Reginald to fight the dragon. Will it be a fight to the death? Will it be a draw? Will they even fight at all? Find out in All Hands Productions version of “The Reluctant Dragon.” This show was funded in part by a 2008 Jim Henson Foundation Family Grant. Recommended for 3 & up.



Jack and the Beanstalk by All Hands Productions

Fri | Feb 22 | 10:30 AM & 1 PM
Sat & Sun | Feb 23 & 24 | 1:00 PM & 3:00 PM

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About the show: You may think you know the story of Jack and the Beanstalk, but you've never seen a version like this. Join David Stephens and All Hands Productions for a different look at the tale of Jack and his encounters with some magic beans, a beanstalk, a giant and some other fairytale favorites. This production is guaranteed to please audiences of children and giants alike. Recommended for 3 & up.

New Year, New Shows: A Note From the Artist

PST Presents the WORLD PREMIERE performance of...

"Squirrel Stole My Underpants" by Bonnie Duncan

Sat & Sun: Jan 26 & 27 at 1pm & 3pm
Thurs & Fri: Jan 31 & Feb 1 at 10:30am
Sat & Sun: Feb 2 & 3 at 1pm & 3pm

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About the Show: Sylvie is sent to the backyard to hang up the laundry. The moment her back is turned, a mischievous squirrel steals her favorite piece of clothing and runs off. When Sylvie gives chase, an entire world emerges from her laundry basket, and curious characters show her the way through mysterious lands. Will our lonely heroine rescue her underpants and discover the magic within herself? Join us on this adventure to find out!

Bonnie and Tim:
 "They Gotta Be Secret Agents"

About the Performer: Bonnie Duncan had already travelled the world as an acrobatic dancer and award-winning fringe theatre artist when she took a break from touring to raise her three young children. Bonnie found herself wanting to tour the world again, but this time with a show for kids. In addition to trying out ideas for the piece in her living room (her husband, Dan Milstein, directed the show), the growing community of local puppeteers nurtured by the Puppet Showplace Theatre gave Bonnie the resources to complete the work.

Bonnie Duncan has been creating and performing work as a dancer, puppeteer, and actor for the past 13 years. She danced for 8 years with Snappy Dance Theater and in 2007, formed “They Gotta Be Secret Agents” with Tim Gallagher, to create work mixing dance, theater, puppetry and circus arts. Her work has been shown in theaters in Boston, Providence, New York City, San Francisco, Austin, TX, Germany, and Czech Republic. The Secret Agents were awarded Austin Critics Table Award for “Best Touring Show of 2011,” Best of the Fringe, San Francisco, and were nominated for Most Innovative Show at Prague Fringe Festival.

The Making of Squirrel Stole My Underpants
BY GUEST BLOGGER: BONNIE DUNCAN

Bonnie Duncan and her three Children.

Squirrel Stole My Underpants came at a time in my life when I was looking for a change.  I have three small children—a four year old and two 19 month old twins. Before I’d started a family, I’d worked part time as a drama teacher, and, in every free minute, thrown myself into a blizzard of art and performance making—dance, puppetry, costume design, circus arts.  But with my oh-so-wonderful and yet oh-so-demanding family, that just wasn’t proving to be possible anymore.

Creating a show I could tour for family audiences felt like it brought a lot together: I could draw on all the (weird, wonderful, and totally unmarketable) skills I had developed; I could build a schedule around my family life (and maybe even have an excuse to take them all on the road with me); and I could get back to what I love—making art.

Squirrel 4.0

I was lucky enough to obtain early support from Puppet Showplace Theatre and the Jim Henson Foundation.  With the time that gave me, I was able to really delve into what can make a family show feel wonderful. Many ideas came and went but a few themes stuck with me:  how hard it is to grow up, those magic items that make you feel secure as a kid, and the injustice of something being taken.  And, thus, Squirrel Stole My Underpants began to take shape. 

Fast-forward ten months and here we are:  premiere week at Puppet Showplace. 

Top Ten Things I learned from this process:

1. Kids will always get sick the week of a deadline.  Sleep goes by the wayside and some things just don’t get done---whether it is laundry or fixing the broken rod on a puppet.

2. Once I surrounded myself with amazing collaborators, my work got better.  The musicians, costume designer, director, and set designer are all super talented and I feel so lucky that they are on my team.

Bonnie on the set of "Squirrel Stole My Underpants"

3. If you need to know if something works on stage, show your kid.  Then, show his friends.  If they don’t like it, scrap it. 

4. Having the support of the Puppet Showplace & Henson Foundation gave me structure, a place to rehearse, business advice, connections for assistance--you name it.

5. Some things work on paper.  A lot of those things don’t work on stage.  Make a mock-up first, put it on its feet, build it out if there is promise.  Then throw it out if it still doesn’t work.

6. I built four versions of the main character before I found the perfect design.  Sometimes you just have to make things over and over before it is right. 

7. At some point during a rehearsal, I looked up and laughed hysterically.  I realized that I am in my 30s and making a show about hot pink polka dot underpants and squirrels.

8. Procrastination is part of the process.  The internet, baking an elaborate cake, and just staring out the window are part of it all.  It may feel like the show will never get made but it does especially when there is a deadline involving the possibility of embarrassing yourself in front of strangers.

9. Having a studio space in my apartment was key.  When the kids napped, I worked with no commute time.  My husband (who directed this show) and I also worked in our dining room in the evenings after everyone was asleep.  Working from home made everything possible.

10. This may be a solo show but it is far from a solo process.  Family, friends, and colleagues made this possible.  Without them, I would still be staring at a blank stage.

I feel very thankful that Squirrel Stole My Underpants.

--Bonnie Duncan

This week in Puppet Playtime....

Two 5-week sessions: Weds @ 10:30am 

Last week's Puppet Playtime with Bella:
 "Adventure in the Night Sky"

Jan 16 - Feb 13; Feb 27 - Mar 27

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THE FUN IS JUST BEGINNING!

What a blast! Our BRAND NEW programing for toddlers and tiny tots kicked of last week, to great success. This interactive program is designed especially for little ones and their grown-ups to sing and sway along, and join in the fun. Today, Puppet Playtime performer, Phil Berman returns as a guest blogger to talk about the program, and give us a sneak-peek at what is in store for tomorrow!

GUEST BLOGGER: PHILIP BERMAN

Phil Berman

What a whirlwind week! It's hard to believe that Brenda, Bella and I are already on our second episode of PUPPET PLAYTIME. The three of us had a blast last Wednesday on our adventure in the night sky with all the kids and grown-ups who braved the snow to play, sing songs and experience the magic of live puppetry.

As a kids' performer with no children of my own, I spend a lot of time thinking about how my work can best fit in with the busy lives of the families we entertain. With very young children it can be a hassle to leave the house to go anywhere, let alone attend arts events! What can my work offer to kids and grown-ups alike that makes each show a "must-see?"

What I saw last week was a beautiful preview of things to come: parents, caretakers, relatives and lots of little tykes playing with their familiar faces. By the end of the program, kids were singing, clapping and laughing together (as well as some of thier older companions.) I hope that this feeling of family and community continues to grow as we continue with the series through the winter.

Tomorrow we're in for an icky treat at PUPPET PLAYTIME: we'll march with the ants, meet a quartet of quarrelsome critters, wash out spiders and feed some very hungry caterpillars. Leave the OFF! at home, because this buggy adventure is sure to bring a smile to kids and grown-ups alike.

See you at the theater!

PB

Come dance, play and pretend with us, Wednesdays this winter at 10:30am!